I had the pleasure to sit down and chat with Stephen Mear, the brilliant choreographer of Milwaukee Repertory Theater's current production of Ragtime and boy did we have a great time! He squeezed in some time to meet with me post rehearsal, both of us exhausted, to have a real conversation about art, life, and the pursuit of happiness. As you read, imagine us both laughing hysterically... or rather me... laughing (unattractively) in hysterics. Both in and out of the rehearsal hall, He has taught me so much about performance, work ethic, movement, storytelling, and being a great human being. Little did I know that this wonderful spirit is also a two-time Olivier and one-time Tony award winning choreographer. If you get the chance to work with him, hell talk to him, you are definitely in good hands.
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Stephen, what's up? Thanks so much for letting me do this. Well the first thing I wanted to know is, what drew you to dance in the first place?
When I was 3, my mum was a dance teacher at a school. She just used to help out. And so I used to run in and out of the class. And I just joined that way. She never wanted me to. I just chose to do it.
Did you just keep taking classes?
Yeah, and also I'm dyslexic. It was a way I could express myself through dance. So that's why I kind of pursued it more.
You told me that sometimes it goes back and forth with how often travel between the UK and the US. What's your preference?
I like both. I think I'm very lucky, I think I'm so lucky. Oh my God. Most of my work the last few years has been in the UK.
What do you think the difference is between English performers and American performers?
I think [England] has the same amount of talent. They used to say that English people didn't have the talent as much as Americans. I mean [England] fits into Texas three times, so the talent [England] has got is snapped up straight away. Whereas in America there is so much more talent. That's what it is. And I think in England because they are paid such crap money, I think they must love it if they do it there. Everybody I know who's in the West End teaches or does another job
How comes you guys don't have Equity there or a union?
We do, but you don't have to be a part of it. Wish is such a shame because if you were it would be stronger. So people can come in off the street and audition and have no training, nothing. Normally it doesn't work for them like it does for people who are trained.
What's it like to be in Milwaukee?
Fabulous!
Did you think it was random?
It's not because, I work at a rep theater in England called Chichester Festival Theatre and it's very similar to that which is outside of London. It's kind of the same feel. It's a massive city with no cars on the road. They have these wide roads and hardly any traffic.
So you're going to New York after this?
Yeah, to audition dancers for the Met, the Metropolitan Opera for a few days. I'll be back over there for Christmas and New Year.
What would you encourage a young dancer to do? Why do it? Is it even worth it?
If you are a dancer I would encourage you to do it if you wanted to do it. I deal with musical theater people so I prefer triple threats that can act, sing and dance.
How is it working in the show dealing with different skill levels and body types?
I'm so used to it because I've done a lot of musicals where we've had to just have actors. It's just giving them confidence to believe in you and trust you. Like I always say to everybody, I will never make anybody look stupid. I really believe it. But also, I think once you say that to somebody, people will open up to you, even if they make a fool of themselves in rehearsal, they are willing to do that to see how far they can be pushed.
What's your biggest pet peeve about performers or dancers?
When people say no. If someone says "no, I can't do that" "or no I wouldn't" and they start getting defensive, that's when you know you're in trouble and I'm not good with people like that.
I am a little curious, not to backtrack too much, but you mentioned you were dyslexic. Have you ever made any pieces about being dyslexia?
No I haven't actually. And when I decided to do "Supercalifragilisticexpialidocious" in Mary Poppins [on the West End], Matthew Bourne said to me "are you mad?" Because I couldn't spell it. We had to have all the letters on the mirror while I was doing it!
Were you ever teased about being dyslexic?
.......
More on this and the struggles of being a performer in Part II of our conversation here.
-----
Stephen, what's up? Thanks so much for letting me do this. Well the first thing I wanted to know is, what drew you to dance in the first place?
When I was 3, my mum was a dance teacher at a school. She just used to help out. And so I used to run in and out of the class. And I just joined that way. She never wanted me to. I just chose to do it.
Did you just keep taking classes?
Yeah, and also I'm dyslexic. It was a way I could express myself through dance. So that's why I kind of pursued it more.
You told me that sometimes it goes back and forth with how often travel between the UK and the US. What's your preference?
I like both. I think I'm very lucky, I think I'm so lucky. Oh my God. Most of my work the last few years has been in the UK.
What do you think the difference is between English performers and American performers?
I think [England] has the same amount of talent. They used to say that English people didn't have the talent as much as Americans. I mean [England] fits into Texas three times, so the talent [England] has got is snapped up straight away. Whereas in America there is so much more talent. That's what it is. And I think in England because they are paid such crap money, I think they must love it if they do it there. Everybody I know who's in the West End teaches or does another job
How comes you guys don't have Equity there or a union?
We do, but you don't have to be a part of it. Wish is such a shame because if you were it would be stronger. So people can come in off the street and audition and have no training, nothing. Normally it doesn't work for them like it does for people who are trained.
What's it like to be in Milwaukee?
Fabulous!
Did you think it was random?
It's not because, I work at a rep theater in England called Chichester Festival Theatre and it's very similar to that which is outside of London. It's kind of the same feel. It's a massive city with no cars on the road. They have these wide roads and hardly any traffic.
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| Stephen Mear (R) teaching a sequence for Tateh & Little Girl in "Ragtime" |
So you're going to New York after this?
Yeah, to audition dancers for the Met, the Metropolitan Opera for a few days. I'll be back over there for Christmas and New Year.
What would you encourage a young dancer to do? Why do it? Is it even worth it?
If you are a dancer I would encourage you to do it if you wanted to do it. I deal with musical theater people so I prefer triple threats that can act, sing and dance.
How is it working in the show dealing with different skill levels and body types?
I'm so used to it because I've done a lot of musicals where we've had to just have actors. It's just giving them confidence to believe in you and trust you. Like I always say to everybody, I will never make anybody look stupid. I really believe it. But also, I think once you say that to somebody, people will open up to you, even if they make a fool of themselves in rehearsal, they are willing to do that to see how far they can be pushed.
What's your biggest pet peeve about performers or dancers?
When people say no. If someone says "no, I can't do that" "or no I wouldn't" and they start getting defensive, that's when you know you're in trouble and I'm not good with people like that.
I am a little curious, not to backtrack too much, but you mentioned you were dyslexic. Have you ever made any pieces about being dyslexia?
No I haven't actually. And when I decided to do "Supercalifragilisticexpialidocious" in Mary Poppins [on the West End], Matthew Bourne said to me "are you mad?" Because I couldn't spell it. We had to have all the letters on the mirror while I was doing it!
Were you ever teased about being dyslexic?
.......
More on this and the struggles of being a performer in Part II of our conversation here.
