"Thank You 10" - Conversations Between Acting

I'm some ways, the early days of rehearsal can feel like the first day of school. There's lots of anxiety yet excitement, nervousness and confidence, self-doubt a midst intense hope. But it's more than just school and I am approaching each new experience as more than just a student.

One of the aspects I've enjoyed the most about my experience with Houston Shakespeare Festival is the talking-to and getting-to-know my fellow artists better. The conversations in of themselves teach me so much about the different paths people take in this field. I've been able to eek out life advice AND steal some really great acting techniques from so many of the more established actors in the casts.

One of the most eye-opening realizations I've had is learning that many of the actors are (a lot) older than they play, and a lot older than I thought they were. I'm glad I can end that misguided perception. Given that truth, and the truth that black don't crack, I think I'm good for at least another 20-30 years.

Another unique thing about these casts... a lot of them are married. Speaking as someone who one day hopes to start a family, this was rather reassuring. You CAN be a performer and have a happy married life. What's particularly unique about this season is the number of couples there are in the overall artistic team! The guy who plays Antony is married to the director (Leah Gardiner) of Antony & Cleopatra, and Cleopatra is married to Octavius. Aggripa is married to the stage manager of Antony & Cleopatra. Pompey is getting married to someone who used to be in connected to the festival. Enobarbus is married to someone who used to be connected to the show...

and you wouldn't know it because, as a friend in the cast put it, "no one changes their frickin' name anymore!"

Anyway. It's been fun yet hard. I'm much more confident with Phebe of "As You Like it" than Charmian of "Antony & Cleopatra", but that's probably because I've spent more time in/with her  I'm enjoying it all around. I'm looking forward to creating and finding more and more dimensions to both roles. And...how awesome is it that I get paid to do this?! I truly am blessed from above! -Nickclette Izuegbu

Guest Blogger - @jesimieljenkins - Moving to LA (Part 2)

If you guys may recall, my friend Jesimiel wrote, a couple of weeks back, about why he chose to move to LA in pursuit of his dreams of working as a host in the entertainment industry. Below, my dear friend elaborates one what he's learned in the last six months since he's been there. It's an eye opener and I think for all artists hoping to make it in LA, or any major metropolis (read: NYC, London, Paris, Tokyo, Rio... etc), you can learn a lot from his experiences.

Three things I’ve learned so far:

A career in the entertainment business is EXPENSIVE. 

-You must be willing to make a sizable investment in yourself to be taken seriously

            -This means paying for really great headshots

            -This means enrolling in ongoing acting classes at a good studio

            -This means buying great clothes that make people notice you when you walk into the audition room

Many people in LA want to be successful but few want to work for it.

-Many people want THAT life, that Beverly Hills life, but few will invest in themselves and work for it.

-It’s important to consistently work towards your goals in a sprawling city like LA and do things that you’re passionate about

-You don’t want to end up another embittered and angry artist serving tables and waiting for Steven Spielberg to walk in and notice you- take your career and your life into your own hands

Drugs are very very real

-I had a very sheltered upbringing in the suburbs of Virginia. I knew what drugs were but they were a very distant reality

-In LA, drugs are a close reality

            -Seriously, keep your drink close at bars and don’t go to an “after-party” with someone you don’t know, there will probably be drugs there

None of the families in Wilkerson’s book aspired to grace the big screen, they just wanted higher wages for their families and to live without threat of racial violence.  However, as I near the end of Wilkerson’s book, I am humbly reminded that I stand on the shoulders of giants and that I am not the first to take this journey.  Though my experience dims in comparison to the present and blood-drenched reality my ancestors lived in the south, I take pride in their bravery as they, like I, made the courageous decision to act upon their dreams.       

follow him @jesimieljenkins on Twitter